Robin Ticciati, Deutsches Symphonie-Orchester Berlin & Magdalena Kozena - Debussy: La mer & Ariettes...

[Prohibitive]

Artist: Robin Ticciati, Deutsches Symphonie-Orchester Berlin & Magdalena Kozena
Title: Debussy: La mer & Ariettes oubliees
Year Of Release: 2017
Label: Linn Records
Genre: Classical
Quality: FLAC (image + .cue, log, artwork)
Total Time: 68:33 min
Total Size: 235 MB

Artist: Robin Ticciati, Deutsches Symphonie-Orchester Berlin & Magdalena Kozena
Title: Debussy: La mer & Ariettes oubliees
Year Of Release: 2017
Label: Linn Records
Genre: Classical
Quality: FLAC (image + .cue, log, artwork)
Total Time: 68:33 min
Total Size: 235 MB

Tracklist:
01. Prelude to P?n?lope
02. Pell?as et M?lisande, Op. 80: I. Pr?lude
03. Pell?as et M?lisande, Op. 80: II. Fileuse
04. Pell?as et M?lisande, Op. 80: III. Sicilienne
05. Pell?as et M?lisande, Op. 80: IV. Mort de M?lisande
06. Ariettes oubli?es: I. C'est l'extase langoureuse
07. Ariettes oubli?es: II. Il pleure dans mon c?ur
08. Ariettes oubli?es: III. L'ombre des arbres
09. Ariettes oubli?es: IV. Chevaux de bois
10. Ariettes oubli?es: V. Green
11. Ariettes oubli?es: VI. Spleen
12. La mer: I. De l'aube ? midi sur la mer
13. La mer: II. Jeux de vagues
14. La mer: III. Dialogue du vent et de la mer

[embed]https://www.youtube.com/embed/4IkRATPJ9yg?feature=oembed[/embed]

This marks the first release with Robin Ticciati leading the Deutsches Symphonie Orchester Berlin, and it makes the requisite splash. There's a world premiere: even if you're not on board with the trend of enlarging the repertory through arrangements of works that are perfectly good in their original form, you will likely be seduced by mezzo-soprano Magdalena Kozen?'s ravishing reading of Debussy's voice-and-piano Ariettes oubli?es, inventively arranged by Brett Dean. There's a little-known work: the opening one, Faur?'s Prelude to P?n?lope (a sparsely performed opera, with a slightly less sparsely performed prelude) is a lush and beautifully controlled arc. Controlled and detailed are two words that come to mind for Ticciati's interpretation of La mer, the warhorse work on the program; it may seem a bit deliberate, but there are many hues in his performance. The two Debussy works are balanced by two of Faur?'s: the fourth work is the suite from Faur?'s incidental music to P?lleas et M?lisande (in Charles Koechlin's version), also deliberate and lush. Linn recorded the performance in Berlin's Jesus Christus Kirche, which allows the full spectrum of orchestral colors to come through. Worth the money for Kozen? fans for her turn alone, and a fine French program for all. -- James Manheim

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