Early Renaissance Sculpture In Italy

[LeeAndro]

Last updated 9/2018MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHzLanguage: English | Size: 1.04 GB | Duration: 0h 48m

Classical Antiquity Re-Imagined

What you'll learn
Students will learn the key developments, vocabulary terms, and works of art which are associated with Early Renaissance Sculpture in Italy.​

This course demonstrates how Renaissance sculpture broke with Medieval traditions.
Students will encounter from diverse mediums, from marble to bronze.
This course covers major works from artists Donatello, Ghiberti, and others.
Requirements
An interest in history and a love of art are the only prerequisites for this course.
Description
Italy throughout the Middle Ages in certain areas had preserved an unbroken connection to their Roman past in sculpture commissioned for large-scale church-building campaigns, which were the chief occasions for the creation of monumental sculpture after the collapse of the Roman Empire and subsequent Dark Ages of the Early Medieval era. Sculpture in Early Renaissance Italy took significant departures from the church figures of Gothic Europe before them; not only new forms, but new and daring interpretations of the human form which would reverberate in the medium and concepts of the sculpted image through the present day. Sculpture was forever transformed in the Western European history of art by the developments which we see coming out of Italy. Most histories start the clock on the revolutions from fifteenth-century Florence- linear perspective and the reclamation of the Classical male nude are some of them-, but this course places them in the context of Classicizing artworks which came before; specifically, we will look at examples from Romanesque Modena and Medieval Pisa. Through this course, we will see how sculpture in Western Europe would evolve from its Medieval characteristics into new distinctly Renaissance forms. Major works in bronze and marble are covered in this course, as are major artists such as Donatello, Verocchio, and others.

Overview

Section 1: Sculpture in Its Many Forms

Lecture 1 Revolutions in the Round

Lecture 2 The Renaissance in Relief

Section 2: Florentine Sculpture in the Fifteenth Century

Lecture 3 The Baptistry Doors of Florence

Lecture 4 Breakthroughs in Bronze

Lecture 5 Monumental Roman Revivals

High school, university, and graduate students will find both a review of key pieces and developments as well as original research and connections which are exclusive to this course.

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